Originally posted on Public Art Research:
Public Art Dialogue is accepting artists’ projects submissions for The Cinematic Turn to be published in late 2015. Artists’ projects are unique artworks and/or art interventions designed specifically for the pages of Public Art Dialogue. Projects should relate to the theme of a particular issue and treat the journal…
Author Archives: jamesoliverculture
Crofting Project
Originally posted on Island Voices – Guthan nan Eilean:
Dr Magnus Course, a social anthropologist at the University of Edinburgh, is starting a new long-term research project looking at the relationship between Gaelic culture, crofting, and landscape in the Outer Hebrides. Magnus and his family will be moving to South Uist for four months from…
A response to ‘Are dialogic and relational aesthetics relevant to all participatory and co-creative practitioners?’
Originally posted on On The Edge Research:
This excellent piece (Chris Fremantle’s blog 6.1.2014) frames the debate on participation and co-creation in art and design as a priviledging of process (over product) and social concerns (over artistic concerns). This presupposes in some way a radical break with what has gone before that might have particular…
Mcgeorge Fellowship, University of Melbourne
Originally posted on On The Edge Research:
Anne Douglas has been invited by the Centre of Cultural Partnerships (CCP), University of Melbourne to focus and consolidate work on her two most recent research projects: Artist as Leader (2007-2009) and Improvisation and Experimental Knowledge (2010-2012) through the University’s Macgeorge Fellowship programme. The research will lead to…
Are dialogic and relational aesthetics relevant to all participatory and co-creative practitioners?
Originally posted on On The Edge Research:
One of the questions we asked in the conclusions of the Practising Equality paper (2013), looking across art, design, architecture and new media at practices of co-creativity and participation, is whether the development of thinking about the aesthetics of participation in art has relevance to design, architecture and new media?…